Monday, 24 February 2020

Deutscland 83 notes

Deutschland 83:

The episode reflects the social contradictions in divided 1980's Germany: East Germany is represented as a rigidly controlled state that promotes women's equality, with Lenora as the powerful woman who sets up the spying operation, where as in East Germany, which is less controlled, the military is represented as rigidly patriarchal.

Both Germanys are represented as a white and the representation of the racial integration of the American military appears to add to their 'otherness'. The episode shows the influence of social anxieties about facing up to Germany's divided past.

Netflix plans to get everyone watching foreign language TV:
- company's bid to fund high-quality foreign-language content and promote it to audiences around the world. They'll also help Netflix thrive if Europe enacts a new law stipulating that 30% of content on streaming services must be created in European countries.

Narrative structure:
- Novelistic - multiple storylines and characters that stretch over a number of episodes and seasons. Cross cutting between East Germany and West Germany as well as individual character arcs for Alexander, Yvonne, Martin.
- The spy narrative is of global cultural resonance and helps explain the international success of the series, despite its poor audience figures in Germany.

West Germany
East Germany

- Similar to the US as under US influence - CAPITALIST ECONOMY.
 - Department stores, restaurants, cars, highways, Western Entertainment - television, films etc  
- Fashion was less conservative and more radical due to access to pop culture
- Vibrant music scene
- Free movement
- Large discrepancy between rich and poor

- Under USSR control - COMMUNIST
- No billboards, neon signs or advertisements
- Very little choice of product
- State department stores were stark and was hard to find a variety of supplies
- No entertainment that wasn't politically altered or focused
- Secret police were very observant and had many informers
- Strict curfew

It is a co-production of AMC Networks' SundanceTV and RTL Television
International distribution by RTL Group's Fremantle Media International and North American distribution by Kino Lorber.

Budget of £35 million

What is Channel 4? - it is a publically-owned and commercially-funded UK public service broadcaster, with a statutory remit to deliver high-quality, innovative, alternative content that challenges that status quo.

Walter presents is a video on demand service of channel 4

Production: created by Anna Winger and Joerg Winger.

premiered on Channel 4 on 3rd January 2016

- Direct synergy with programme and 1980's soundtrack


Intertextual link to The Loves of Others and Run Lola Run 

Thursday, 6 February 2020

Stranger Things audience notes

  • 15-49 year olds
  • Why they love it- 80's nostalgia
  • How is the audience been targeted
  • Synergy with Netflix
  • Extensive Narrative Enigmas- Always wanting to know more about the story
  • Emotive representations
  • Realism- Friendship/loyalty, young protagonists, collective identity
  • Retro styling- Nostalgia, soundtrack, hybridisation- sci-fi, thriller
  • Must see appointment tv 
Gratifications theory- Personalisation (identify with characters), Information (anything that it teaches you), Entertainment (what viewers want), Social interaction (water cooler chat)
    • Escapist, non realist entertaining drama- Diversion
    • Discussed, written about, hyped and virally sold- Social interaction
    • Identity is key appeal e.g. Personal identity with notions of difference
    • Information is given on 1980's cultural history- Surveillance culture

    Stranger Things Industry notes

    • Season 1 had a budget of $6 million per episode, season 2 increased to $8 million
    • The teens reportedly made $20,000 per episode in season 1
    • Original story created by Matt and Ross Duffer
    • Season 1 consists of 8 episodes
    • Was filmed at the beginning of 2016 and premiered worldwide on Netflix on July 15th 2016
    • Filmed in Atlanta, Georgia in a town known as Jackson
    • Filming took six months and seven days to film an episode
    • Used a 4k medium camera, and various lenses and colours to help in fitting the time period
    • Netflix distributed the show
    • 21 Laps Entertainment
    • Netflix, Amazon- Which contains DVD and Blu Ray box sets
    • Television, laptop, game console, smart phones, computer and tablets all of which can view Stranger Things
    • The release date was simultaneous across the globe and all episodes were released all at once
    • Marketing- trailer, poster
    • Fandom- merchandise (mugs, clothes, posters and etc)
    • Merchandise includes, Lego, Funko Pop, etc.

    D83

    • Episode 1 - Quantum Jump
    • October 2015- released in USA
    • January 2016 on Channel 4 in the UK
    • Episode titles taken from actual NATO military exercises
    • Subtitled 
    • ABC1 audience- Lexus advertisement, subtitles and knowledge of the cold war
    • Split screen from the two sides of Germany- Strauss- binary opposition 
    • Genre- Romance, action
    • Similar to Stranger Things as it follows the point of view of young people fighting against an evil.
    • Cold war Spy thriller set in 1983
    • Early action sequence- Barthes proairetic code
    • Iconic 80's signifiers- Ronald Reagan, Frankie goes to Hollywood- Two Tribes song
    • Potentially sexualised narrative with romantic sub plot
    • Action sequences as USP, high production values
    • Surveillance equipment as part of the mise-en-scene encodes spy conventions
    • Spy thriller but also a hybrid coming of age drama- Steve Neale repetition and difference theory.
    • Medium/ high production value drama
    • Moritz Stamm/ Martin Rauch- 2 characters- Moritz (West) Martin (East)
    • Evil Empire- 1983 Ronald Reagan speech
    • Walter Presents- This is the distributor
    • Costs a lot to recreate the 80's- Industry
    • Culturally relevant German export
    • East German Socialist ideology- Seen as aspirational through the character of Martin Rauch but then reverts to stereotype e.g. harsh eastern block representations
    • Using Gauntlett D83 oscillates between diversity and encoding at times a singular, straightforward east/west identity
    • Premiered at the Berlin Film Festival, globally distributed
    • Critical success
    • Commercial success- highest rated subtitled drama in the UK but flopped in Germany
    • East VS West symbolism
    • Sundance TV and RTL TV German/American co-production
    • Sundance are U.S. pay TV channel owned by AMC specialising in non mainstream content
    • RTL largest free-to-air TV channel in Germany
    • Point- D83 had pedigree and backing in terms or production and distribution
    • June 2015 Sundance TV premiere, Germany November 2015, UK January 2016
    • Direct synergy with programme and 1980's soundtrack. Spotify playlist for each episode- marketing to youth audiences also nostalgia as key appeal
    • Todorovian equilibrium
    • Episodic it is open ended- micro narratives connected by narrative arcs.
    • Disruption- Aunt pushes him to join East secret service. Gets job as aide to West German General in charge of nuclear deterrence 

    Deutschland 83 scene by scene

    https://docs.google.com/document/d/1LJ2Sa-c1owXNrTL9-D7yfNkJWTVjx78MspVtXdyurg0/edit

    representation analysis Deutschland 83

    https://docs.google.com/document/d/1XAq2LszxWnkxBz0Mee3wkbL8EzmqOk2lT0Gd2R0mlOE/edit

    • Communism 
    • East Vs West
    • Threat of nuclear war
    • Gender-East women vs West woman and East men vs West men
    • Family relationships
    • Representation of Americans 
    • Young males
    • Classes
    • Women
    • Action war
    • Government

    Deutschland 83 characters

    https://docs.google.com/document/d/e/2PACX-1vQ0hYyTfxPHSg5dATRdMuzk3spin0iJa1jRy73CXcWmDgZZ_t7yG0XQYoNEVLn0O9tOTtWxlloYU4kZ/pub

    Jean Baudrillard